Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Cinematography, Documentary, Filmmaking, Screenwriting Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Documentary, Filmmaking, Interview ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine