Screenwriting 101

Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty

Interview, Screenwriting, Screenwriting 101

Unveiling Ridley Scott’s Cinematic Grail:
‘The Illustrated Blade Runner’

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit

‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope

‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment

Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Exposing Femicide in Iran: Cyrus Nowrasteh’s ‘The Stoning of Soraya M.’

James Mangold’s ‘Identity’: The Devil in the Details

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

James Mangold’s ‘Identity’: The Devil in the Details

Cinematography, Editing, Filmmaking, Screenwriting, Screenwriting 101

‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair

Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy

Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy