Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine

Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Seventh Seal’: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

Rats In the Attic: William Friedkin’s ‘The Exorcist’

Cinematography, Documentary, Filmmaking, Screenwriting 101

Rats In the Attic: William Friedkin’s ‘The Exorcist’

Filmmaking, Interview, Screenwriting, Screenwriting 101

‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life

The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity