Editing
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
