Cinematography, Documentary, Editing, Filmmaking, Interview ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Cinematography, Editing, Filmmaking, Screenwriting, Screenwriting 101 ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101 ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’