Editing

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’

Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101

‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole

Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Psycho’: The Proto-Slasher that Brought On a Revolution in Cinema

‘Heat’ at 25: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Heat’ at 25: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre

Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101

With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing

Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101

‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness

Cinematography, Editing, Filmmaking, Interview, Screenwriting 101

‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith

Cinematography, Editing, Filmmaking, Screenwriting 101

Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative