Documentary

Cinematography, Documentary, Filmmaking, Screenwriting

Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’

Documentary, Filmmaking, Interview

‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles

Documentary, Filmmaking, Interview

‘Big John’: A 75-Minute Precious Exploration of John Carpenter’s Life, Work and Ways

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

Rats In the Attic: William Friedkin’s ‘The Exorcist’

Cinematography, Documentary, Filmmaking, Screenwriting 101

Rats In the Attic: William Friedkin’s ‘The Exorcist’

Documentary, Filmmaking, Interview

‘Mise-en-Scène’ and Fritz Lang: The Invaluable, Short-Lived Magazine’s Article on the Master of Darkness