• Home
  • ABOUT
  • Press and testimonials
  • Blog
  • Contact
  • Sponsorship
  • DONATE
Cinephilia & Beyond -
  • Filmmaking
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Screenwriting
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Cinematography
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Editing
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Neil Marshall’s ‘The Descent’:
Humans Are the Scariest Things

Latest Articles

Previous
Next

From the Archives

Previous
Next

From the Desk of Dr. Frankenstein

Cinephilia & Beyond’s Return to Twitter

New beginnings don’t necessarily have to be rough. In 2020, we decided to wish you a merry Christmas in the typical C&B way—by posting a brief clip of the famous Christmas party scene from Goodfellas containing the Frosty the Snowman song in the background. Unfortunately, good old Frosty did us in.
Read On

FILMS ALSO HAVE BIRTHDAYS

That belongs in a museum

Previous
Next

Coming Soon

Previous
Next

Film books

Previous
Next
  • Privacy
  • Disclaimer

© 2022 Cinephilia & Beyond. All rights reserved. https://cinephiliabeyond.org/

Back to top