‘12 Angry Men’ at 68: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess
‘Touch of Evil’ at 67: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form
‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation
We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet
‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’ at 35
“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self