• Gems from the Archive •
THE LATEST
‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation
‘Touch of Evil’ at 67: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form
‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation
Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60
Empire’s End: John Huston’s ‘The Man
Who Would Be King’
Life and Death in a Northern Town: Mike Hodges’ ‘Get Carter’ at 54
We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet
‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’ at 35
“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self
The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40
‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film
C&B 2025 FILM CALENDAR
