• Gems from the Archive •
THE LATEST
‘The Fisher King’ at 35: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Take It to the Limit One More Time:
Michael Mann’s ‘Miami Vice’ at 20
‘Midnight Run’ at 38: Martin Brest’s Cult-Action Comedy that Just Doesn’t Seem to Get Old
‘Escape from New York’ at 45: John Carpenter’s Thrilling, Pumped-Up Ride through the Streets of a Dystopian New York City
New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template
How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action
‘The Parallax View’ at 52: Pakula’s Unsettling Examination of the Post-Compliant America
‘Psycho’ at 66: The Proto-Slasher that Brought On a Revolution in Cinema
‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic
‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire
C&B 2025 FILM CALENDAR
