Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
‘12 Angry Men’ at 68: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess
‘Touch of Evil’ at 67: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form
‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation