• Gems from the Archive •
THE LATEST
Empire’s End: John Huston’s ‘The Man
Who Would Be King’
Life and Death in a Northern Town: Mike Hodges’ ‘Get Carter’ at 54
We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet
‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’ at 35
“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self
The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40
‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film
Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days”
‘8½’ at 62: Federico Fellini’s Daring, Self-Reflexive Masterpiece as a Most Intimate Exploration of Cinema
‘The Seventh Seal’ at 68: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest
John Carpenter’s ‘The Fog’ at 45: One of the Best Ghost Stories and Its Clever Warning to Us All
C&B 2025 FILM CALENDAR
