Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire
You think I’m crazy? You call me crazy, you think I’m crazy? You wanna see crazy? Well, what do you wanna hear, man? Do…
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Francis Ford Coppola and Brian De Palma: ‘The Conversation’ Between Two Great Filmmakers
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‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery
In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European auteurs of his time, reached a far wider audience…
‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film
It was May 1960 when Michelangelo Antonioni’s L’Avventura first introduced itself to the public’s eye. Today, this classic of European art films is hailed as…
Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’
Twenty-one years on, David Fincher’s The Game (1997) has come to be seen as a prescient, schadenfreude look at the gulf between us and the…
‘Horror Implied, as Opposed to Explained… That’s Michael Mann’s Strength (Will)’—‘Manhunter’
In 1986, Michael Mann’s Manhunter elevated schlock-horror to a thoughtful, stylised, forensically psychological level, introducing the concept of a serial killer to a wider base,…
‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life
That is no country for old men. The young In one another’s arms, birds in the trees —Those dying generations—at their song, The salmon-falls,…
‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’
According to Paul Thomas Anderson, the self-taught San Fernando valley wiz-kid now entering the second half of his storied career, love is what happens when…
L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’
When people think of Tom Cruise, what do they see? That shit eating grin, the Scientology, star power? I prefer to think of Cruise as…
Rats In the Attic: William Friedkin’s ‘The Exorcist’
Forty-five years after its powerful debut, and with all the attendant publicity, analysis and second-hand knowledge, from satire to theological debate that has existed around…
Duct Soup: The Daffy, Dystopian Design Nightmare of Terry Gilliam’s ‘Brazil’
Brazil is the demented, surreal flip-side of George Orwell’s dystopian warning—1984 1/2 was director Terry Gilliam’s originally mooted title. Yet it is Gilliam’s comic vision that…
‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin
After a much-discussed hiatus that lasted for two decades, Terrence Malick returned to filmmaking with the highly praised anti-war epic called The Thin Red Line,…
‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking
Michael Powell, one of the most distinguished British filmmakers of the 1940s and 1950s, basically ended his career when he made Peeping Tom in 1959….
Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative
Steven Soderbergh’s 1998 adaptation of Elmore Leonard’s crime novel Out of Sight experiments with form, tussles with it even. Opening in medias res, with bank…
‘The Seventh Seal’: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest
Ingmar Bergman decided to make something completely different upon witnessing the success of his comedy Smiles of a Summer Night in Cannes, where the film…
Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort
On only one occasion did Marlon Brando give directing a shot. Disappointed with the audience’s reaction, disheartened by studio interference or perhaps simply disillusioned with…
‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made
Considering the fact we’re discussing a wondrous work of art continuously labeled as one the most significant and influential films ever made, it seems only…
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
Many rightly attribute Taxi Driver’s success to screenwriter Paul Schrader, director Martin Scorsese, and method leading man Robert De Niro—together they forge a Holy Trinity…
Married to the Enemy: The Pathological Obsession Beneath Michael Cimino’s ‘Year of the Dragon’
No-one does excess quite like Michael Cimino, director of Heaven’s Gate and The Deer Hunter. And when you factor in a co-writing credit by Oliver…
A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’
In Hollywood, personal films can often become bloated vanity projects. With Samuel Fuller’s semi-autobiographical WWII memoir, The Big Red One, there is nothing vain or…
Limitation of Life: You Can’t Go Back in John Frankenheimer’s ‘Seconds’
Who we are depends on a multitude of influences, societal and blood-borne. Mankind is the only entity on the planet with a philosophical understanding of…
Ridley Scott’s ‘The Duellists’: A Startling Debut of Honour
On Sunday 18 February the British Academy of Film and Television Arts (BAFTA) will honor Sir Ridley Scott with the 2018 Fellowship at the EE…
Alan Parker’s ‘Angel Heart’ Is Astonishing as Hell
English film director Alan Parker was first introduced to William Hjortsberg’s novel ‘Falling Angel’ almost immediately after its publication in 1978, but it took another…
‘Eyes Wide Shut’: A Tense, Nightmarish Exploration of Marriage and Sexuality in Kubrick’s Ultimate Film
Almost a decade passed since Full Metal Jacket hit the theaters, and Stanley Kubrick lived a sort of a reclusive life in London, distanced from…
‘Boogie Nights’: Paul Thomas Anderson’s Priceless 155-Minute Film School
Had it not been for his inclination for porn films during his formative teenage years and one specific ‘A Current Affair’ article on adult film…
‘A History of Violence’: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity
The master of the specific subgenre called body horror and the man who put out such classics as Dead Ringers and Videodrome, the Canadian filmmaker…
A Conversation with François Truffaut: A Window into the Mind and Practices of the Pillar of the French New Wave
The notorious enfant terrible of film criticism, feeling no restraint as he butchers trends and practices in contemporary filmmaking that he feels devalue the noble…
Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’
Asked by Debbie Lynn Elias of Behind The Lens Online on what compels the director Peter Weir to film such varied stories as he does,…
‘The Friends of Eddie Coyle’: Peter Yates’ Crime Masterpiece that Chose to Rely on a Completely Different Kind of Spectacle
Published in January 1973, George V. Higgins’ crime novel The Friends of Eddie Coyle was well received by critics and the public, featuring a story…
Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’
The Ipcress File, both film adaptation by director Sidney J. Furie and producer Harry Saltzman, and the original debut novel by author Len Deighton, has…
‘The Magnificent Ambersons’: The Fascinating Story of Orson Welles’ Studio-Tainted Masterpiece
It was sometime in 1980 when Orson Welles finally sat down and agreed to watch The Magnificent Ambersons, giving in to his persuasive colleague and…
‘Minority Report’: Steven Spielberg’s Proof that You Don’t Need to Sacrifice Substance to Produce Spectacle
The beginning of Minority Report, Steven Spielberg’s thrilling sci-fi noir from 2002, is closely connected to another science fiction classic: Total Recall. The film was…
Christopher Nolan’s ‘Dunkirk’: A Miracle of Deliverance, Within a Miracle of Delivery
When Christopher Nolan first announced Dunkirk as the title and subject of his next film after the grandiose yet intimate epic Interstellar, heads were scratched….
‘12 Angry Men’: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess
When esteemed actor Henry Fonda saw a successful teleplay called 12 Angry Men written for CBS’s Studio One, his complete lack of producing experience didn’t…
‘Klute’: Alan J. Pakula and the Lewis Brothers’ Thriller-Disguised Exploration of Human Interactions, Relationships and Psyche
Often considered as the first part of the so-called Paranoia Trilogy, alongside subsequent The Parallax View (1974) and All the President’s Men (1976), Alan J….
Humor and Tragedy as the Defining Features of Human Existence: A Review of ‘Three Billboards Outside Ebbing, Missouri’
As a former reviewer for a Croatian film-dedicated website, I used to see a lot of inferior filmmaking efforts. The local multiplex gave me a…
‘Do You Want to Live Forever?’—John Milius’ ‘Conan the Barbarian’
The Frankenstein’s monster that is Justice League, the Warner Bros/DC superhero team-up film that has critics and audiences comparing notes on who shot/wrote what, Zack…
John Toll: ‘There’s No Difference Between Feature Films and TV Shows—It’s All Filmmaking to Me’
Having debuted as director of photography on Malcolm Leo’s documentary film The Beach Boys: An American Band back in 1985, John Toll has enjoyed a…
The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved
There is only a spoonful of movies that enjoy such a reputation as Casablanca, the romantic war drama directed by Michael Curtiz which started winning…
Lives On the Line: The Grubby Politics of Paul Schrader’s ‘Blue Collar’
Paul Schrader got the chance to direct his first film after the success of Martin Scorsese’s Taxi Driver, the script of which Schrader cranked out…
‘Be Inspired to Try Things, Miracles Happen When Someone Takes a Chance’: A Conversation with James Mangold
As one of the most versatile and interesting filmmakers today, James Mangold seemed like a good choice for an interview. The last film he directed,…
Paul Hirsch on ‘Star Wars’: Thinking We Were Making a Film for Kids, We Made a Film for the Kid in All of Us
An unusually calm, composed and quiet man sits across the table from me and my notebook, patiently awaiting my next question. We’re in Poland: it’s…
‘The Last of the Mohicans’: Michael Mann’s Riveting Love Story as the Formation of American Identity
After a string of successes on television, having made a name for himself on projects such as Starsky and Hutch and Police Story, Michael Mann…
Intention Is Everything: Christopher McQuarrie’s ‘The Way of the Gun’
Christopher McQuarrie’s directorial debut after his Oscar-winning screenplay success with The Usual Suspects (1995), The Way of the Gun (2000) is most often described as…
Warren Beatty’s ‘Reds’: ‘A Long, Long Movie About a Communist Who Died’
After the success of 1979’s Heaven Can Wait (nine Oscar noms and co-directed by Warren Beatty alongside Buck Henry, Beatty picking up a nomination for…
Peter Weir’s ‘Witness’: A Deep, Subtle and Complex Social Comment Disguised as a Police Thriller
One of the main figures of the Australian New Wave, Peter Weir, earned the attention of the film-appreciating community with such films as the mystery…
‘Predator’: John McTiernan’s First Studio Gig that Became an Epic Action Classic
After Sylvester Stallone’s Rocky IV proved to be a huge box office hit back in 1985, earning more than 300 million dollars on a 28-million…
Jeeps in the Orchard: The Logistical “Laters” of Attenborough’s ‘A Bridge Too Far’
British war cinema is preoccupied, it seems, with stiff-upper-lipped defeat—from innumerable plucky POW features to the sinking of Noel Coward’s destroyer from In Which We…
‘Thief’: How Michael Mann’s Cinema Debut Stole the World’s Attention
When Michael Mann’s Thief hit theaters in March 1981, the critics rushed to praise the filmmaker’s feature debut, expressing surprise at the fact such an…
‘The Train’: John Frankenheimer’s Monumental Tribute to Wartime Railway Resistance
There’s a probably apocryphal quote attributed to Winston Churchill in WWII, in which the man of Britain’s finest hour insisted that the arts must be…
‘Unforgiven’: Clint Eastwood’s Eulogy for the Man with No Name in His Anti-Western Masterpiece
Two years after Kevin Costner’s Dances With Wolves became only the second Western ever to win the Best Picture Academy Award, the first being Cimarron…
‘Touch of Evil’: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form
When Universal approached Orson Welles with an intriguing supporting role in a new thriller tentatively called Badge of Evil, the filmmaker was at a difficult…
The Faustian Fall Guy: Richard Rush’s ‘The Stunt Man’
You’ve got to admire an opening sequence where an unconcerned, lazy dog lies in the middle of a dusty side road, obstructing a Sheriff’s patrol…
‘Catch-22′: Mike Nichols’ Underappreciated Classic Adaptation of One of the Best Antiwar Novels of All Time
It had all the ingredients of an instant hit and future classic. At the helm, one of the hottest directorial commodities of the period, the…
Terrence Malick’s ‘The Thin Red Line’: The Traumatic and Poetic Journey into the Heart of Man
Twenty years have passed between Days of Heaven, Terrence Malick’s second feature film, and The Thin Red Line, his great 1998 comeback, the third film…
‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers
Seventy years since its release, Out of the Past has long enjoyed an established place in film historians’ lectures on the best examples of film…
‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film
Before Warner Bros. decided to take a chance and hire him to make The Wild Bunch, the classic revisionist western that would completely revitalize his…
Ballad for an Iron Coffin: Wolfgang Petersen’s ‘Das Boot’
You never see the enemy. Like Christopher Nolan’s triptych timeline suspenser Dunkirk, both quarry and hunter/guardians of the Allied Atlantic convoys our unterseeboot protagonists wrestle…
‘The Abyss’: James Cameron’s Exploration of Humanity and Love in the Heart of the Ocean
Having made The Terminator (1984) and Aliens (1986), two huge box office hits and pillars of modern Hollywood science fiction action films, James Cameron could…
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’
Fractured narrative, skewed perception, compressed timelines—director/writer Christopher Nolan won’t lead his audience in a straight line where a Möbius strip will suffice. Multi-award nominated breakthrough…
‘Strange Days’: Kathryn Bigelow’s Thrilling Sci-Fi that Doesn’t Feel As Strange As It Should
It’s been seven years since the esteemed American film director Kathryn Bigelow entered the history books as the first woman to win a Best Director…
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Featured Posts
‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made
Considering the fact we’re discussing a wondrous work of art continuously labeled as one the most significant and influential films ever made, it seems only…
Ridley Scott’s ‘Blade Runner’: A Game-Changing Science-Fiction Classic
Ridley Scott’s Blade Runner’s path to stardom and cultism has hardly been a bump-free ride. Heavily disputed upon its release, often criticized as an occasionally…
A Unique Perspective on the Making of ‘Stalker’: The Testimony of a Mechanic Toiling Away under Tarkovsky’s Guidance
Named by the British Film Institute as one of the fifty greatest movies of all time, Andrei Tarkovsky’s 1979 science fiction masterpiece called Stalker is,…
‘Persona’: Ingmar Bergman’s Psychological Masterpiece as the White Whale of Critical Analysis
In 1963 Ingmar Bergman was appointed head of the Royal Dramatic Theater in Stockholm. Refusing to cut back on his filmmaking projects, exhausted and stressed…
Francis Ford Coppola and Brian De Palma: ‘The Conversation’ Between Two Great Filmmakers
The most personal of all films in Francis Ford Coppola’s repertoire was born between two big projects that helped Coppola gain the reputation he enjoys…
‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life
When Gena Rowlands, his wife, expressed her interest in appearing in a play about the difficulties that contemporary women had to face, John Cassavetes wrote…
Stanley Kubrick’s original treatment for ‘The Shining’
One of Stephen King’s most popular and celebrated novels, The Shining was initially conceived as the author’s family was staying at the Stanley Hotel in…
Brian De Palma’s ‘Blow Out’ is one of the finest films about the process of filmmaking
A stylish American thriller knee-deep in paranoia, Brian De Palma’s Blow Out is a neatly packed, thrill-ridden film executed on a level far beyond average…
All hail Kubrick’s ‘Barry Lyndon,’ a masterclass in bringing a unique filmmaker’s vision to life
What is now considered one of Stanley Kubrick’s most accomplished films, as well as an example of innovative, audacious filmmaking at its best, was almost…
Francis Ford Coppola’s ‘Apocalypse Now’ must be the key lecture in anyone’s filmmaking education
People often exaggerate when they talk about films. They get carried away, leaving the cinema emotionally stirred and too impressed to be able to objectively…
The most studied and analyzed film of Alfred Hitchcock’s career, ‘Vertigo’ is on every level a masterclass in filmmaking
The most studied and analyzed film of Alfred Hitchcock’s career, Vertigo is on every level a masterclass in filmmaking. In 1958 Hitchcock worked with legendary…
More than 65 years since its release, Carol Reed’s ‘The Third Man’ is still a marvel to see, experience and learn from
Carol Reed’s The Third Man might just be as visually stimulating as classic films get. The 1949 film noir features great performances from Joseph Cotton,…
Terry Gilliam has always been a hero of ours, and ‘Brazil’ was perhaps the first step in the development of our fascination with him
Ex-Monthy Python icon Terry Gilliam’s 1985 film Brazil is a wonderfully imagined and ably executed satire on bureaucratic society and its totalitarian government running a…
In the times before the idea of the Internet was conceived, film magazines proved an invaluable source of filmmaking knowledge
In the education of aspiring filmmakers, when every single bit of available information builds upon the artist’s craft and know-how, vital role was played by…
The Art of Cinematography: 8 Essential Documentaries
The world’s top cinematographers discuss the art of how and why films look the way they do. Cinematographer Style is about the art and craft…
Filmmakers to Watch
‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
A struggling reporter sits in a diner with an open notepad, nervously jotting down a potential title for his next interview. As he changes his…
‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
A cold, wet, sinister-looking abandoned factory, two serious men with automatic rifles staring out the window, obviously expecting a visitor they deem dangerous enough to…
‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
The short film Cool Hair, directed by debutant and production manager William Orozco-Cubbon, was screened at the 2017 Zero Film Festival in West Hollywood, the…
‘Hi-Glow Retro’: Alex Morsanutto’s Bullet-Proof Ticket to Feature Filmmaking
From the very first scene, dominated by a cool voiceover accompanied by fragments of the crucial penultimate sequence that we’ll come to understand much later,…
‘Time and Again’: The Importance of Family in Aidan Largey’s Nostalgic Time Travel Flick
As we meet Brian and Lucen, two small-town kids trying to build a time machine when they’re not butting heads with their teachers during class,…
‘Remote’: Marc Roussel’s Highly Suspenseful Mixture of Time Travel and Home Invasion
Do you remember Gregory Hoblit’s 2000 science fiction thriller called Frequency, where a present-day son (Jim Caviezel) manages to connect with his long-deceased father (Dennis…
‘Happy Birthday, Barbara’: A Wonderfully Restrained Piece of Fine Visual Storytelling
A woman stands in a hotel hallway, switching her stare from a wrinkled little piece of paper in her glove-protected hand to the stylized number…
‘Telephone Me’: A Story of Revenge with Frenetic Energy and Honest Performances
It’s delightful to see short films of this kind of frenetic energy. Michael Demetriou’s somewhat bizarre take on a story brought to life by a…
Jordan Rossi’s ‘Shakespeare on Death’: A Brave, Captivating Effort at Honoring William Shakespeare
Through the years we’ve witnessed countless screen adaptations of the work of William Shakespeare. It was to our surprise when we found that young filmmaker,…
Thyrone Tommy’s ‘Avalanche’: How Easy It Is to Become What You Despise
A young boy and a talented archer, who takes his hobby very seriously and passionately, has a strained relationship with his militant, strict, reserved father…
Rajendra Thakurathi’s The Dishwasher: The Price of the American Dream
Rajendra Thakurathi’s The Dishwasher is an important short film on several different layers. First of all, it should be said that we don’t base our…
Kheaven Lewandowski, Director of ‘River’: ‘Making Films For a Living Is a Privilege’
Excited by his inspired and visually captivating short film River, we decided to have a little chat with Kheaven Lewandowski, a talented filmmaker whose greatest…