• Gems from the Archive •
THE LATEST
Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
David Lean’s ‘Nostromo’: The Old Man and the Untold Tale of the Seaboard
‘Citizen Kane’: The Astonishing Debut of Hollywood’s Greatest Wunderkind
James Mangold’s ‘Identity’: The Devil in the Details
Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’
‘12 Angry Men’ at 68: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess
‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation
‘Touch of Evil’ at 67: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form
‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation
Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60
Empire’s End: John Huston’s ‘The Man
Who Would Be King’
C&B 2025 FILM CALENDAR
