‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film
It was May 1960 when Michelangelo Antonioni’s L’Avventura first introduced itself to the public’s eye. Today, this classic of European art films is hailed as…
Interview
Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’
Twenty-one years on, David Fincher’s The Game (1997) has come to be seen as a prescient, schadenfreude look at the gulf between us and the…
‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life
That is no country for old men. The young In one another’s arms, birds in the trees —Those dying generations—at their song, The salmon-falls,…
Duct Soup: The Daffy, Dystopian Design Nightmare of Terry Gilliam’s ‘Brazil’
Brazil is the demented, surreal flip-side of George Orwell’s dystopian warning—1984 1/2 was director Terry Gilliam’s originally mooted title. Yet it is Gilliam’s comic vision that…
‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking
Michael Powell, one of the most distinguished British filmmakers of the 1940s and 1950s, basically ended his career when he made Peeping Tom in 1959….
‘The Seventh Seal’: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest
Ingmar Bergman decided to make something completely different upon witnessing the success of his comedy Smiles of a Summer Night in Cannes, where the film…
Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort
On only one occasion did Marlon Brando give directing a shot. Disappointed with the audience’s reaction, disheartened by studio interference or perhaps simply disillusioned with…
‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made
Considering the fact we’re discussing a wondrous work of art continuously labeled as one the most significant and influential films ever made, it seems only…
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
Many rightly attribute Taxi Driver’s success to screenwriter Paul Schrader, director Martin Scorsese, and method leading man Robert De Niro—together they forge a Holy Trinity…
Married to the Enemy: The Pathological Obsession Beneath Michael Cimino’s ‘Year of the Dragon’
No-one does excess quite like Michael Cimino, director of Heaven’s Gate and The Deer Hunter. And when you factor in a co-writing credit by Oliver…