‘Psycho’ at 66: The Proto-Slasher that Brought On a Revolution in Cinema ‘Psycho’ at 66: The Proto-Slasher that Brought On a Revolution in Cinema Read an article »
‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic ‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic Read an article »
‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire ‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire Read an article »
We Can Mis-Remember it 80s-Style: ‘Total Recall’ Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade We Can Mis-Remember it 80s-Style: ‘Total Recall’ Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade Read an article »
‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone ‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone Read an article »
Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ at 25 Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ at 25 Read an article »
‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 Read an article »
‘12 Angry Men’ at 69: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess ‘12 Angry Men’ at 69: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess Read an article »
‘All the President’s Men’ at 50: Following the Money to Become One of the Most Remarkable American Films to Date ‘All the President’s Men’ at 50: Following the Money to Become One of the Most Remarkable American Films to Date Read an article »