How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
By Koraljka Suton The great Italian director Sergio Leone established himself as the inventor of the spaghetti Western genre…
Interview
‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
By Koraljka Suton British filmmaker John Boorman started out by making documentaries for the BBC before getting a chance…
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
By Tim Pelan Casino in some respects is director Martin Scorsese dialing Goodfellas up to 11. Oh, you want…
Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’
By Sven Mikulec Three decades ago, the now-renowned Oscar-winning filmmaker Guillermo del Toro was at the beginning of his…
Jean-Pierre Melville: Life and Work of a Groundbreaking Filmmaking Poet
One of the very few filmmakers we deeply cherish above almost all others and whose work we hold in the…
How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
By Koraljka Suton The legendary director Robert Altman was given an Academy Honorary Award in 2006, “in recognition of a…
‘Miller’s Crossing’: A Lamentation of Losers by the Coen Brothers
By Tim Pelan After the success of Raising Arizona, Joel and Ethan Coen were given the chance to do…
‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation
By Koraljka Suton Between his masterpiece The Godfather (1972) and its 1974 sequel, esteemed filmmaker Francis Ford Coppola decided…
Run Through the Jungian: Stanley Kubrick’s ‘Full Metal Jacket’, a Phenomenological Treatise on War
By Tim Pelan “It’s not pro-war or anti-war. It’s just the way things are,” Stanley Kubrick said of Full…
‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life
By Koraljka Suton It is no secret that Martin Scorsese is a devoutly religious man. His life-long quest to…