‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation ‘The Godfather’ at 53: A Historical Curiosity that Proved Instrumental for Our Filmmaking Education and Appreciation Read an article »
Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60 Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60 Read an article »
Empire’s End: John Huston’s ‘The Man Who Would Be King’ Empire’s End: John Huston’s ‘The Man Who Would Be King’ Read an article »
Life and Death in a Northern Town: Mike Hodges’ ‘Get Carter’ at 54 Life and Death in a Northern Town: Mike Hodges’ ‘Get Carter’ at 54 Read an article »
We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet Read an article »
‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’ at 35 ‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’ at 35 Read an article »
“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self Read an article »
The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 Read an article »
‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film ‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film Read an article »
Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Read an article »
