‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic ‘Predator’ at 39: John McTiernan’s First Studio Gig that Became an Epic Action Classic Read an article »
‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire ‘The Truman Show’ at 28: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire Read an article »
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NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise Read an article »
‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone ‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone Read an article »
Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession Read an article »
Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ at 25 Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ at 25 Read an article »
‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 Read an article »
‘12 Angry Men’ at 69: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess ‘12 Angry Men’ at 69: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess Read an article »
