Screenwriting

Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101

And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

Interview, Screenwriting, Screenwriting 101

Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

Cinematography, Filmmaking, Interview, Screenwriting

‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal

Cinematography, Filmmaking, Interview, Screenwriting

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’

Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’

‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling

Documentary, Filmmaking, Screenwriting, Screenwriting 101

‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling

‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers

Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”

Filmmaking, Interview, Screenwriting, Screenwriting 101

Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”