Peter Weir’s ‘Fearless’ as a Soulful Slice of Life That Gently Examines the Human Condition
By Koraljka Suton Essentially, this is a detective story and the mystery at hand is this: What happened to…
Screenwriting
Life and Death in a Northern Town: Mike Hodges’ ‘Get Carter’
By Tim Pelan Soon after its release in 1972, the film was banished to the dark shadows of cult…
Sic Transit Garber’s Subway: ‘The Taking of Pelham One Two Three’
By Tim Pelan Only the amazing reaction that that picture has gotten, because at the time I was dreadfully…
‘Bringing Out the Dead’: Scorsese’s Deeply Humane Unsung Gem
By Koraljka Suton We wanted to do New York at night in a way that would create a claustrophobic…
‘Sweet Smell of Success’: A Visceral and Vicious Depiction of the Evil that Power-Hungry Men Do
By Koraljka Suton There’s an old rule among directors that you see a film in its totality about four…
‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash
By Koraljka Suton He had to find the range of his own creativity, and learn how to control this…
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
By Theo Zenou This review contains spoilers. The Irishman, Martin Scorsese’s hyped return to the gangster genre, is not…
“I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title
By Tim Pelan James Cameron’s spy thriller/comedy True Lies (1994) came along at a time when the James Bond…
Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
By Koraljka Suton It is no secret that the late Alfred Hitchcock was—and still is—not only one of the…
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire
By Tim Pelan This story has to be on a big canvas. There’s no sense in my getting Bob…