Screenwriting
The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues
‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash
How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’
‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’
