Screenwriting

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

Filmmaking, Interview, Screenwriting, Screenwriting 101

‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life

The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity

Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101

And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

Interview, Screenwriting, Screenwriting 101

Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash

Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

Cinematography, Filmmaking, Interview, Screenwriting

‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal

Cinematography, Filmmaking, Interview, Screenwriting

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work