By Tim Pelan We wanted to show violence in real terms. Dying is not fun and games. Movies make…
By Koraljka Suton Once it opened, everybody kept saying, ‘Oh, what a brilliant satire.’ But Paddy and I always…
By Tim Pelan Not unlike James Cameron and his flop sweat fever dream of a chrome skeleton-framed torso, dragging…
By Tim Pelan Forty-five years after its powerful debut, and with all the attendant publicity, analysis and second-hand knowledge,…
By Koraljka Suton He had to find the range of his own creativity, and learn how to control this…
By Sven Mikulec Alejandro Jodorowsky’s El Topo just might be the weirdest, most bizarre, genre-bending film we’ve ever seen….
By Sven Mikulec In 1997, an ambitious 26-year-old called Paul Thomas Anderson made Boogie Nights, his sophomore directing effort…
By Theo Zenou This review contains spoilers. The Irishman, Martin Scorsese’s hyped return to the gangster genre, is not…
By Tim Pelan James Cameron’s spy thriller/comedy True Lies (1994) came along at a time when the James Bond…
By Koraljka Suton I am not fascinated, as you say, by the myth of the West, or by the…