Cinematography
To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Martin Scorsese’s Encounter with Kafka During ‘After Hours’
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
