Cinematography
‘Close Encounters of the Third Kind’: Steven Spielberg’s Gamble That Paid Off Generously
The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance
‘A History of Violence’: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’
Michael Chapman: Cinematographers, in the Traditional Sense, Are a Dying Breed
‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers
