In 1997, an ambitious 26-year-old called Paul Thomas Anderson made Boogie Nights, his sophomore directing effort that dazzled the film loving community. The commercial and…
The vexed question of patriotism hangs over Damien Chazelle’s First Man, a somber epic that manages to be both a very visceral examination of the…
When Alfred Hitchcock came to the United States at the end of the 1930s, having been making films in England for twenty years, it took…
Oh my God. I’m back. I’m home. All the time, it was… We finally really did it. You Maniacs! You blew it up! Ah,…
In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European auteurs of his time, reached a far wider audience…
Twenty-one years on, David Fincher’s The Game (1997) has come to be seen as a prescient, schadenfreude look at the gulf between us and the…
In 1986, Michael Mann’s Manhunter elevated schlock-horror to a thoughtful, stylised, forensically psychological level, introducing the concept of a serial killer to a wider base,…
That is no country for old men. The young In one another’s arms, birds in the trees —Those dying generations—at their song, The salmon-falls,…
According to Paul Thomas Anderson, the self-taught San Fernando valley wiz-kid now entering the second half of his storied career, love is what happens when…
Forty-five years after its powerful debut, and with all the attendant publicity, analysis and second-hand knowledge, from satire to theological debate that has existed around…