In 1966, the Italian maestro Michelangelo Antonioni, already famous as one of the most prominent European auteurs of his time, reached a far wider audience…
Twenty-one years on, David Fincher’s The Game (1997) has come to be seen as a prescient, schadenfreude look at the gulf between us and the…
In 1986, Michael Mann’s Manhunter elevated schlock-horror to a thoughtful, stylised, forensically psychological level, introducing the concept of a serial killer to a wider base,…
That is no country for old men. The young In one another’s arms, birds in the trees —Those dying generations—at their song, The salmon-falls,…
According to Paul Thomas Anderson, the self-taught San Fernando valley wiz-kid now entering the second half of his storied career, love is what happens when…
Forty-five years after its powerful debut, and with all the attendant publicity, analysis and second-hand knowledge, from satire to theological debate that has existed around…
Brazil is the demented, surreal flip-side of George Orwell’s dystopian warning—1984 1/2 was director Terry Gilliam’s originally mooted title. Yet it is Gilliam’s comic vision that…
After a much-discussed hiatus that lasted for two decades, Terrence Malick returned to filmmaking with the highly praised anti-war epic called The Thin Red Line,…
Michael Powell, one of the most distinguished British filmmakers of the 1940s and 1950s, basically ended his career when he made Peeping Tom in 1959….
Steven Soderbergh’s 1998 adaptation of Elmore Leonard’s crime novel Out of Sight experiments with form, tussles with it even. Opening in medias res, with bank…