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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Screenwriting
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
    • We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
      We Can Mis-Remember it 80s-Style: ‘Total Recall’ (1990) Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade
  • Interview
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Documentary
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Cinematography
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Editing
    • ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
      ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Filmmaking

Documentary, Filmmaking

Talking Pictures: David Lean

Documentary, Filmmaking

David Lean and His Dedicated Maniacs (2009)

Documentary, Filmmaking, Interview

Terry Gilliam’s out-of-print LaserDisc commentary for ‘The Adventures of Baron Munchausen’

Documentary, Filmmaking, Screenwriting 101

The Forty-Year Rule: ‘Chinatown’

Filmmaking, Interview

Quentin Tarantino’s Cannes Press Conference

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