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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Screenwriting
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Interview
    • Unveiling Ridley Scott’s Cinematic Grail:<br> ‘The Illustrated Blade Runner’
      Unveiling Ridley Scott’s Cinematic Grail:
      ‘The Illustrated Blade Runner’
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
  • Documentary
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
    • ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
      ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
  • Cinematography
    • Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
      Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
      ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
  • Editing
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Martin Scorsese

Documentary, Filmmaking, Screenwriting, Screenwriting 101

Martin Scorsese’s ‘The King of Comedy’ is a developed critique and a statement that is just as precise and contemporary as it was back in ’82

Documentary, Filmmaking, Screenwriting, Screenwriting 101

Darkly comedic and delightfully manic, ‘After Hours’ is one of Scorsese’s best films

Filmmaking

“The ring is everywhere, and the hardest opponent you can come up against is yourself”

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Martin Scorsese’s ‘Taxi Driver’ is the turning point in our lives in terms of film appreciation and education

Cinematography, Filmmaking

‘Taxi Driver’: God’s Lonely POV

Documentary, Filmmaking

Scorsese, De Palma, Schrader, Lynch, Bertolucci, Allen, Polanski, and Demme analyse key scenes from their film output

Documentary, Filmmaking, Screenwriting, Screenwriting 101

“As far back as I can remember, I always wanted to be a gangster”

Filmmaking, Interview, Screenwriting

The impact of Martin Scorsese’s ‘Mean Streets’

Filmmaking

“On every film you suffer, but on some you really suffer”

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