Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’ Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’ Read an article »
The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance Read an article »
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ Read an article »
To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ Read an article »
‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers ‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers Read an article »
‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens ‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens Read an article »
Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Read an article »
Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Read an article »
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Read an article »
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value Read an article »
