Tim Pelan
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Rats In the Attic: William Friedkin’s ‘The Exorcist’
Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’
Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’
The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
