‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 Read an article »
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’—Revisiting a Masterpiece on Its 50th Anniversary Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary Read an article »
With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary Read an article »
‘The Wicker Man’ at 52: The True Nature of Sacrifice ‘The Wicker Man’ at 52: The True Nature of Sacrifice Read an article »
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary Read an article »
Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22 Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22 Read an article »
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Read an article »
