Cinematography, Documentary, Filmmaking, Screenwriting 101 Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
Filmmaking, Interview, Screenwriting, Screenwriting 101 Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Jack Nicholson Attempts a Transference of Self
Cinematography, Filmmaking, Interview, Screenwriting Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow?
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 Run Through the Jungian: Stanley Kubrick’s ‘Full Metal Jacket’, a Phenomenological Treatise on War
Cinematography, Documentary, Editing, Filmmaking, Screenwriting 101 With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing