Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 “If You’re Going to Sell Your Soul to The Devil, the Consequences Are There for You to Suffer”: Ridley Scott and Cormac McCarthy’s ‘The Counselor’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 Noir Cut to Look of the Period, Not About the Period: The Sunny, Seedy ’50’s Underbelly of Curtis Hanson’s ‘L.A. Confidential’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 In Search of Our Better Selves: The Rebirth, Redemption and Road Warriors of George Miller’s ‘Mad Max: Fury Road’
Cinematography, Documentary, Filmmaking, Screenwriting 101 The Matrix Revelation: How the Wachowskis Opened Our Eyes to a New Kind of Action Cinema
Documentary, Filmmaking, Interview, Screenwriting Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’
Cinematography, Documentary, Filmmaking, Screenwriting 101 An Agency of Chaos: Christopher Nolan’s ‘The Dark Knight’
Cinematography, Filmmaking, Interview, Screenwriting 101 Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’
Documentary, Filmmaking, Interview, Screenwriting 101 God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame
Filmmaking, Interview, Screenwriting, Screenwriting 101 Empire’s End: John Huston’s ‘The Man Who Would Be King’