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Cinephilia & Beyond -
  • Filmmaking
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Screenwriting
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Interview
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
  • Documentary
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Cinematography
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Editing
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
      Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Akira Kurosawa

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Throne of Blood’: The Value and Meaning of Kurosawa’s Fog-Drenched Masterpiece

Documentary, Filmmaking, Screenwriting 101

‘Ran’ is by all standards one of master Kurosawa’s best films in his resume

Screenwriting

‘The Masque of Black Death’: The Secret of Akira Kurosawa’s Last Screenplay

Documentary, Filmmaking, Screenwriting, Screenwriting 101

Kurosawa’s ‘Kagemusha’: A Poem about Human Nature

Filmmaking, Interview

Paradise is around here: A Rare Interview with Akira Kurosawa by Maani Petgar

Cinematography, Filmmaking, Interview

Abbas Kiarostami Meets Akira Kurosawa

Filmmaking, Interview

Akira Kurosawa on watching ‘Solaris’ with Andrei Tarkovsky

Documentary, Screenwriting

‘Dreams’: A Selection of Film Episodes Designed to be Viewed in One Sitting By Akira Kurosawa

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