Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Martin Scorsese’s Encounter with Kafka During ‘After Hours’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
Cinematography, Documentary, Filmmaking, Screenwriting Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101 Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession