Screenwriting
‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life
The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues
