Screenwriting
‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’
‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling
‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers
Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value
Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow?
New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template
