
Screenwriting


And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’

Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues

‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash

How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’

‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal

Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’

‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling
