“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self Read an article »
The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 Read an article »
Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Read an article »
Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’ Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’ Read an article »
An Open Road to Collaborative Success: Quentin Tarantino and Tony Scott’s ‘True Romance’ An Open Road to Collaborative Success: Quentin Tarantino and Tony Scott’s ‘True Romance’ Read an article »
Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’ Defying Gravity: The Cosmic Corn of Christopher Nolan’s ‘Interstellar’ Read an article »
‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out Read an article »
‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy Read an article »
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Read an article »
