Cinematography, Documentary, Filmmaking, Screenwriting 101 Rats In the Attic: William Friedkin’s ‘The Exorcist’
Cinematography, Filmmaking, Interview, Screenwriting 101 Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’
Cinematography, Filmmaking, Interview, Screenwriting 101 Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’
Cinematography, Filmmaking, Interview, Screenwriting 101 The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance
Cinematography, Filmmaking, Interview, Screenwriting Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Goodfellas’: Martin Scorsese’s Anthropological Goodlife Through a Lens