Empire’s End: John Huston’s ‘The Man Who Would Be King’
On the occasion of John Huston’s The Man Who Would Be King screening at the Edinburgh International Film Festival in 2010 to mark star Sean…
Tim Pelan
Philip Kaufman’s ‘The Right Stuff’: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days”
The vexed question of patriotism hangs over Damien Chazelle’s First Man, a somber epic that manages to be both a very visceral examination of the…
Beware the Beast Man, For He Is the Devil’s Pawn: Franklin J. Schaffner’s ‘Planet of the Apes’
Oh my God. I’m back. I’m home. All the time, it was… We finally really did it. You Maniacs! You blew it up! Ah,…
Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’
Twenty-one years on, David Fincher’s The Game (1997) has come to be seen as a prescient, schadenfreude look at the gulf between us and the…
‘Horror Implied, as Opposed to Explained… That’s Michael Mann’s Strength (Will)’—‘Manhunter’
In 1986, Michael Mann’s Manhunter elevated schlock-horror to a thoughtful, stylised, forensically psychological level, introducing the concept of a serial killer to a wider base,…
L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’
When people think of Tom Cruise, what do they see? That shit eating grin, the Scientology, star power? I prefer to think of Cruise as…
Rats In the Attic: William Friedkin’s ‘The Exorcist’
Forty-five years after its powerful debut, and with all the attendant publicity, analysis and second-hand knowledge, from satire to theological debate that has existed around…
Duct Soup: The Daffy, Dystopian Design Nightmare of Terry Gilliam’s ‘Brazil’
Brazil is the demented, surreal flip-side of George Orwell’s dystopian warning—1984 1/2 was director Terry Gilliam’s originally mooted title. Yet it is Gilliam’s comic vision that…
Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative
Steven Soderbergh’s 1998 adaptation of Elmore Leonard’s crime novel Out of Sight experiments with form, tussles with it even. Opening in medias res, with bank…
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
Many rightly attribute Taxi Driver’s success to screenwriter Paul Schrader, director Martin Scorsese, and method leading man Robert De Niro—together they forge a Holy Trinity…