Tim Pelan

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

Cinematography, Documentary, Filmmaking, Screenwriting 101

Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’

Filmmaking, Interview, Screenwriting, Screenwriting 101

Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’

Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101

“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value

Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Jack Nicholson Attempts a Transference of Self

Cinematography, Filmmaking, Interview, Screenwriting

Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow?

Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101

New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template

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