Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22 Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22 Read an article »
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Read an article »
Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50 Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50 Read an article »
L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’ at 21 L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’ at 21 Read an article »
Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 19 Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 19 Read an article »
Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’ Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’ Read an article »
Moonbase Alpha, Moonbase Beta: Sam Rockwell Is the Secret VFX at the Heart of Duncan Jones’ ‘Moon’ Moonbase Alpha, Moonbase Beta: Sam Rockwell Is the Secret VFX at the Heart of Duncan Jones’ ‘Moon’ Read an article »
Run Through the Jungian: Stanley Kubrick’s ‘Full Metal Jacket’, a Phenomenological Treatise on War Run Through the Jungian: Stanley Kubrick’s ‘Full Metal Jacket’, a Phenomenological Treatise on War Read an article »
David Lean’s ‘Nostromo’: The Old Man and the Untold Tale of the Seaboard David Lean’s ‘Nostromo’: The Old Man and the Untold Tale of the Seaboard Read an article »
Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60 Spies Like Us: Harry Palmer, the Everyday Hero of ‘The Ipcress File’ at 60 Read an article »
