Tim Pelan
Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’
Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value
“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Jack Nicholson Attempts a Transference of Self
Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow?
New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’
