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Cinephilia & Beyond - Films and Filmmaking Films and Filmmaking
  • Filmmaking
    • Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
      Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
    • NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
      NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
    • Preparing for the Worst and Hoping for the Best:<br> Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
      Preparing for the Worst and Hoping for the Best:
      Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
  • Screenwriting
    • NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
      NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
      Spike Lee’s ‘25th Hour’: A Masterful Depiction of a Post-9/11 New York City that Explores Regret, Guilt and Uncertainty
  • Interview
    • Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
      Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
    • ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
      ‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement
  • Documentary
    • Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
      Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
    • Preparing for the Worst and Hoping for the Best:<br> Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
      Preparing for the Worst and Hoping for the Best:
      Crises, Isolation and Connection in Julia Neuhaus’ Documentary ‘TEOTWAWKI–The End of the World As We Know It’ (2022)
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
  • Cinematography
    • Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
      Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’
    • NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
      NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise
    • The Sheep That Got Found: ‘Man on Fire’
      The Sheep That Got Found: ‘Man on Fire’
  • Editing
    • ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
      ‘The Hill’: Sean Connery’s Sisyphean Bond Break-Out
    • ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
      ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
    • No image
      ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Sam Peckinpah

“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action
Cinematography, Documentary, Filmmaking, Screenwriting 101

“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow

Filmmaking, Interview, Screenwriting

Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film

Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Ballad of Cable Hogue’: Sam Peckinpah’s Most Tender Fable of the Dying West

Documentary, Filmmaking, Interview, Screenwriting

‘Straw Dogs’: Peckinpah’s Most Controversial Blade Hasn’t Lost Any of Its Sharpness Over the Years

Editing, Filmmaking, Interview, Screenwriting 101

Sam Peckinpah’s ‘The Wild Bunch’ is savage poetry; one of the great masterpieces of world cinema

Filmmaking, Interview, Screenwriting

Sam Peckinpah’s ‘Pat Garrett and Billy the Kid’ finally got the respect it deserved

Filmmaking, Interview, Screenwriting

‘The Getaway’ remains one of the highlights that Sam Peckinpah’s rich career has to offer

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