By Koraljka Suton During the making of Ride the High Country in 1962, director Sam Peckinpah was ordered by MGM to stop filming on…
On only one occasion did Marlon Brando give directing a shot. Disappointed with the audience’s reaction, disheartened by studio interference or perhaps simply disillusioned with…
Before Warner Bros. decided to take a chance and hire him to make The Wild Bunch, the classic revisionist western that would completely revitalize his…
More than often unfairly placed into a single drawer and labeled as the master of misogynistic violence, fast-paced action and sometimes astonishing brutality, Sam Peckinpah,…
After Sam Peckinpah angered the studio with his Ballad of Cable Hogue, where he went 19 days over schedule and more importantly 3 million dollars…
Indulging a creative and, to a degree, noble and socially responsible desire to shatter the nurtured illusion of violence in the westerns as idealized, innocent…
Hailed as one of Sam Peckinpah’s misunderstood masterpieces, Pat Garrett and Billy the Kid is the film that ended the filmmaker’s informal revisionist western trilogy,…
Sam Peckinpah’s action-packed crime thriller The Getaway was a huge hit. It was just what the director needed at the beginning of the seventies—a box…