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Cinephilia & Beyond -
  • Filmmaking
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Screenwriting
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Interview
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
    • How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
      How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
  • Documentary
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Cinematography
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
      ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy
    • Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
      Gotham by Elektrisches Licht: Fritz Lang’s ‘Metropolis’
  • Editing
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
      40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Sam Peckinpah

“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action
Cinematography, Documentary, Filmmaking, Screenwriting 101

“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow

Filmmaking, Interview, Screenwriting

Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort

Cinematography, Filmmaking, Interview, Screenwriting 101

‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film

Cinematography, Filmmaking, Interview, Screenwriting 101

‘The Ballad of Cable Hogue’: Sam Peckinpah’s Most Tender Fable of the Dying West

Documentary, Filmmaking, Interview, Screenwriting

‘Straw Dogs’: Peckinpah’s Most Controversial Blade Hasn’t Lost Any of Its Sharpness Over the Years

Editing, Filmmaking, Interview, Screenwriting 101

Sam Peckinpah’s ‘The Wild Bunch’ is savage poetry; one of the great masterpieces of world cinema

Filmmaking, Interview, Screenwriting

Sam Peckinpah’s ‘Pat Garrett and Billy the Kid’ finally got the respect it deserved

Filmmaking, Interview, Screenwriting

‘The Getaway’ remains one of the highlights that Sam Peckinpah’s rich career has to offer

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