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‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair Read an article »
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To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties Read an article »
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’ ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’ Read an article »
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’ The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’ Read an article »
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Read an article »
‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy Read an article »
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Read an article »
‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story ‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story Read an article »