Cinematography, Documentary, Filmmaking, Screenwriting 101 ‘Horror Implied, as Opposed to Explained… That’s Michael Mann’s Strength (Will)’—‘Manhunter’
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life
Cinematography, Filmmaking, Screenwriting 101 ‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’
Cinematography, Filmmaking, Interview, Screenwriting 101 Duct Soup: The Daffy, Dystopian Design Nightmare of Terry Gilliam’s ‘Brazil’
Cinematography, Documentary, Filmmaking, Screenwriting 101 ‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking
Cinematography, Editing, Filmmaking, Screenwriting 101 Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made
Cinematography, Editing, Filmmaking, Interview Limitation of Life: You Can’t Go Back in John Frankenheimer’s ‘Seconds’