‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers ‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers Read an article »
‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens ‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens Read an article »
‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole Read an article »
Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Gang Wars, the Prohibition Menace: Brian De Palma’s ‘The Untouchables’ Read an article »
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Read an article »
“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value Read an article »
Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession Fincher’s ‘Zodiac’: A Suspenseful and Thrilling Combination of Police Procedural and Newspaper Film That Masterfully Chronicles the Progression of Obsession Read an article »
Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Read an article »
Sir Alan Parker: A European Sensibility among American Studio Sharks Sir Alan Parker: A European Sensibility among American Studio Sharks Read an article »
