By Sven Mikulec
“In France, I’m an auteur; in Germany, a filmmaker; in Britain, a genre film director; and in the USA, a bum.” These are the famous words of John Carpenter, one of the most influential horror film directors of all time, whose works such as Halloween, The Thing, The Fog and In the Mouth of Madness remain an inescapable part of every horror film encyclopedia. A talented filmmaker, a modest, humble and practical man, and, for this occasion equally important, a disarmingly, refreshingly honest interviewee. It was from France, to go back to the quote we started with, that the idea for this rare documentary came to life. In 2006 filmmaker Julien Dunand made a documentary film simply called Big John, a 75-minute exploration of Carpenter’s career, character and American film industry in general. The film lacks clips from Carpenter’s movies, most likely due to budgetary issues, but more than makes up for it with a series of enlightening interviews with both Carpenter himself (mostly filmed behind the wheel while driving around L.A.) and a whole gallery of his frequent collaborators, such as producing partner Debra Hill, the Assault on Precinct 13 star Austin Stoker, actress and ex-wife Adrienne Barbeau, the Christine protagonist Keith Gordon, Carpenter’s composing collaborator Alan Howarth, who also did the music for the documentary, and many others.
The central value of this film, which is obviously made with a lot of love and respect both for Carpenter and the craft, lies in the one-on-one conversations between Dunand and Carpenter, which give insight into the life and work of a filmmaker whose golden days may be long gone, but whose significance for the art of film can’t be diminished. As on many other occasions, Carpenter leaves the impression of a sympathetic, straightforward fellow who feels he just happened to be in the right place at the right time. “Many of my film school colleagues were more talented than me,” he told us a couple of years back, “so you mustn’t underestimate the importance of sheer luck.” That may be the case, but through a career spanning four decades and eighteen movies, obvious talent and hard work was what kept him at the top.
Purchase On Set with John Carpenter: The Photographs of Kim Gottlieb-Walker (Titan Books) here.
Here are several photos taken behind-the-scenes during production of John Carpenter’s movies. All original photographs are copyright to their respective owners. Intended for editorial use only. All material for educational and noncommercial purposes only.
We’re running out of money and patience with being underfunded. If you find Cinephilia & Beyond useful and inspiring, please consider making a small donation. Your generosity preserves film knowledge for future generations. To donate, please visit our donation page, or donate directly below:
Get Cinephilia & Beyond in your inbox by signing in