• Gems from the Archive •
THE LATEST
Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary
‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary
Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary
‘Heat’ at 30: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre
‘The Wicker Man’ at 52: The True Nature of Sacrifice
‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary
‘Out of the Past’ at 78: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary
‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters
‘One Flew Over the Cuckoo’s Nest’ at 50: Miloš Forman’s Mosaic of Brilliance With a Lesson Still As Important As Ever
C&B 2025 FILM CALENDAR
