• Gems from the Archive •
THE LATEST
‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary
‘Out of the Past’ at 78: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary
‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters
‘One Flew Over the Cuckoo’s Nest’ at 50: Miloš Forman’s Mosaic of Brilliance With a Lesson Still As Important As Ever
Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22
‘To Live and Die in L.A.’ at 40: How Friedkin Made One of the Best Films of the Eighties
‘Wait Until Dark’: Terence Young’s Terrifyingly Effective Suspense Thriller with Brilliant Audrey Hepburn and Alan Arkin
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
‘Fight Club’ at 26: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment
Original Cadence: A Conversation with Diane Keaton
C&B 2025 FILM CALENDAR
