‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey ‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey Read an article »
‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith Read an article »
‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life ‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life Read an article »
The Cinematic Legacy of Donald E. Westlake The Cinematic Legacy of Donald E. Westlake Read an article »
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Read an article »
And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ Read an article »
Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’ Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’ Read an article »
Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work Read an article »
‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens ‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens Read an article »
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Read an article »