Cinematography, Documentary, Editing, Filmmaking, Screenwriting, Screenwriting 101 Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’
Cinematography, Filmmaking, Interview, Screenwriting ‘Atlantic City’: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal
Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling