Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession
By Koraljka Suton It is no secret that the late Alfred Hitchcock was—and still is—not only one of the…
Koraljka Suton
‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
By Koraljka Suton British filmmaker John Boorman started out by making documentaries for the BBC before getting a chance…
How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine
By Koraljka Suton The legendary director Robert Altman was given an Academy Honorary Award in 2006, “in recognition of a…
‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation
By Koraljka Suton Between his masterpiece The Godfather (1972) and its 1974 sequel, esteemed filmmaker Francis Ford Coppola decided…
Carol Reed’s ‘The Third Man’: How Orson Welles Stole a Show He Was Barely In
By Koraljka Suton Filmmaker Carol Reed, hailed as one of the greatest U.K. directors, became famous in the late…
‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life
By Koraljka Suton It is no secret that Martin Scorsese is a devoutly religious man. His life-long quest to…
‘In the Mouth of Madness’: John Carpenter’s Love Letter to H.P. Lovecraft and the Subgenre of Cosmic Horror
By Koraljka Suton Director John Carpenter was always one to surprise, frighten and delight his audiences. After making Dark…
‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
By Koraljka Suton Ever since he was a little boy, director Martin Scorsese wanted to make a movie about…
Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’
By Koraljka Suton As a young upstart filmmaker I felt that you were not a real filmmaker if you…
How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar
By Koraljka Suton A friend of mine, an American painter living in London, had read the book and suggested…