Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101 And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’
Interview, Screenwriting, Screenwriting 101 Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues
Cinematography, Documentary, Filmmaking, Screenwriting 101 ‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash
Cinematography, Filmmaking, Interview, Screenwriting 101 Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’
Cinematography, Filmmaking, Interview, Screenwriting 101 Scorsese On the Ropes: The ‘Kamikaze’ Film-Making of ‘Raging Bull’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’
Documentary, Filmmaking, Interview, Screenwriting 101 ‘They Live’: John Carpenter’s Brilliantly Simple and Hugely Enjoyable Assault on Reagan’s America
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Paths of Glory’: Stanley Kubrick’s First Step Towards Cinema Immortality
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘And the Sea Will Grant Each Man New Hope, As Sleep Brings Dreams of Home’: John McTiernan’s ‘The Hunt for Red October’