Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song
Cinematography, Documentary, Filmmaking, Screenwriting 101 Rats In the Attic: William Friedkin’s ‘The Exorcist’
Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘A Woman Under the Influence’: Cassavetes’ Intense and Emotionally Exhausting Slice of Life
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 The Future is Now: Alfonso Cuarón’s ‘Children of Men’ Paints a Bleak Picture of a World Devoid of Humanity
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Sunset Boulevard’: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers
Cinematography, Filmmaking, Reviews, Screenwriting, Screenwriting 101 And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’