‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey ‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey Read an article »
‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre ‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre Read an article »
‘Pulp Fiction’: How Quentin Tarantino Made a Postmodern Masterpiece ‘Pulp Fiction’: How Quentin Tarantino Made a Postmodern Masterpiece Read an article »
‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith Read an article »
‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence ‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence Read an article »
‘Sunset Boulevard’ at 75: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood ‘Sunset Boulevard’ at 75: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood Read an article »
‘The Abyss’ at 36: James Cameron’s Exploration of Humanity and Love in the Heart of the Ocean ‘The Abyss’ at 36: James Cameron’s Exploration of Humanity and Love in the Heart of the Ocean Read an article »
Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50 Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50 Read an article »
L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’ at 21 L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’ at 21 Read an article »
Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 19 Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 19 Read an article »
