‘They Live’: John Carpenter’s Brilliantly Simple and Hugely Enjoyable Assault on Reagan’s America ‘They Live’: John Carpenter’s Brilliantly Simple and Hugely Enjoyable Assault on Reagan’s America Read an article »
‘Paths of Glory’: Stanley Kubrick’s First Step Towards Cinema Immortality ‘Paths of Glory’: Stanley Kubrick’s First Step Towards Cinema Immortality Read an article »
‘Close Encounters of the Third Kind’: Steven Spielberg’s Gamble That Paid Off Generously ‘Close Encounters of the Third Kind’: Steven Spielberg’s Gamble That Paid Off Generously Read an article »
The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance The Greater the Truth, the Greater the Damage: ‘The Insider,’ Michael Mann’s White-Collar Thrill Ride of Corporate Malfeasance Read an article »
‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ ‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ Read an article »
‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling ‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling Read an article »
40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’ Read an article »
To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ Read an article »
‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers ‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers Read an article »
‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens ‘Goodfellas’ at 35: Martin Scorsese’s Anthropological Goodlife Through a Lens Read an article »
