Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Moonbase Alpha, Moonbase Beta: Sam Rockwell Is the Secret VFX at the Heart of Duncan Jones’ ‘Moon’
Cinematography, Editing, Filmmaking, Interview, Screenwriting 101 ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting We Blew It? Douglas Trumbull’s ‘Silent Running’ Took the Counter-Culture Legacy of ‘Easy Rider’ As a Paean to the Planet
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 Fixed Images of Eternity: Time, Perception, & Grief in ‘Don’t Look Now’
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’