Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’ Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’ Read an article »
“If You’re Going to Sell Your Soul to The Devil, the Consequences Are There for You to Suffer”: Ridley Scott and Cormac McCarthy’s ‘The Counselor’ “If You’re Going to Sell Your Soul to The Devil, the Consequences Are There for You to Suffer”: Ridley Scott and Cormac McCarthy’s ‘The Counselor’ Read an article »
From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off Read an article »
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In Search of Our Better Selves: The Rebirth, Redemption and Road Warriors of George Miller’s ‘Mad Max: Fury Road’ In Search of Our Better Selves: The Rebirth, Redemption and Road Warriors of George Miller’s ‘Mad Max: Fury Road’ Read an article »
Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’ Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’ Read an article »
‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow ‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow Read an article »
God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame Read an article »
The Story of ‘Saboteur’, Hitchcock’s First Truly American Film The Story of ‘Saboteur’, Hitchcock’s First Truly American Film Read an article »
Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Read an article »