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Appetite for Destruction: Paul Thomas Anderson’s ‘Phantom Thread’ and the Fall of the House of Woodcock Appetite for Destruction: Paul Thomas Anderson’s ‘Phantom Thread’ and the Fall of the House of Woodcock Read an article »
A 1971 Interview With Alejandro Jodorowsky on ‘El Topo,’ the Psychedelic, Genre-Bending Midnight Movie A 1971 Interview With Alejandro Jodorowsky on ‘El Topo,’ the Psychedelic, Genre-Bending Midnight Movie Read an article »
‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness ‘Magnolia’: Paul Thomas Anderson’s Absorbing Mosaic of Compassion, Humanity and the Importance of Forgiveness Read an article »
Jean-Pierre Melville: Life and Work of a Groundbreaking Filmmaking Poet Jean-Pierre Melville: Life and Work of a Groundbreaking Filmmaking Poet Read an article »
The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ Read an article »
Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Read an article »
Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’ Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’ Read an article »
A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ Read an article »
How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar Read an article »