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Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’ Slaughterhouse Twelve: Robert Aldrich’s ‘The Dirty Dozen’ Read an article »
‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow ‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow Read an article »
God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame Read an article »
The Story of ‘Saboteur’, Hitchcock’s First Truly American Film The Story of ‘Saboteur’, Hitchcock’s First Truly American Film Read an article »
Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Read an article »
Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’ Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’ Read an article »
‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life ‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life Read an article »
‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking ‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking Read an article »
Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort Read an article »
