The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ Read an article »
Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Read an article »
Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’ Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’ Read an article »
A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ Read an article »
How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar Read an article »
Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’ Reclaiming the Lost Art of Melodrama in Sidney Lumet’s Unsung Masterpiece: ‘Before the Devil Knows You’re Dead’ Read an article »
‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ Read an article »
“If You’re Going to Sell Your Soul to The Devil, the Consequences Are There for You to Suffer”: Ridley Scott and Cormac McCarthy’s ‘The Counselor’ “If You’re Going to Sell Your Soul to The Devil, the Consequences Are There for You to Suffer”: Ridley Scott and Cormac McCarthy’s ‘The Counselor’ Read an article »
From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off From Facebook to ‘Fuck-You Flip-Flops’: How Aaron Sorkin and David Fincher Made ‘The Social Network’ a Fiery Word-Off Read an article »
Noir Cut to Look of the Period, Not About the Period: The Sunny, Seedy ’50’s Underbelly of Curtis Hanson’s ‘L.A. Confidential’ Noir Cut to Look of the Period, Not About the Period: The Sunny, Seedy ’50’s Underbelly of Curtis Hanson’s ‘L.A. Confidential’ Read an article »
