By Tim Pelan Michelangelo Antonioni’s 1975 film The Passenger is a languid thriller in which not much seems to…
By Tim Pelan John Boorman’s 1981 fantastical retelling of Thomas Mallory’s Le Morte d’Arthur is, to quote Nicol Williamson’s…
You will not find in my pictures any phony camera moves or fancy setups to prove that I am…
By Koraljka Suton Exactly 30 years ago, in the summer of 1989, the world was swept off its feet…
By Tim Pelan There is a long and noble history in Hollywood of submarine war films. The two most…
By Tim Pelan Not much of a one for describing his work, author Cormac McCarthy bluntly describes The Counselor,…
By Adam Buffery I’ve been Mark Zuckerberg—there are times in my life where I’ve acted that way. There are…
By Travis Woods TELEPOD 1: STATHIS He watches Her, trembling and nerve-twitched, eyes darting, lips pulled back over protruding…
By Tim Pelan The film became an obsession. It was to be my magnum opus, the one on which…
By Tim Pelan Ripley’s words to the Xenomorph in Alien 3 sum up how we all feel: “You’ve been…