“We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self “We Translate Every Experience into the Same Old Codes”: In Michelangelo Antonioni’s ‘The Passenger,’ Which Turns 50 Today, Jack Nicholson Attempts a Transference of Self Read an article »
The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 The Chaotic Genius of ‘Brazil’: Terry Gilliam’s Dystopian Masterpiece at 40 Read an article »
‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film ‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film Read an article »
Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Philip Kaufman’s ‘The Right Stuff’ at 41: “A Search Film, a Quest for a Certain Quality that May Have Seen Its Best Days” Read an article »
‘8½’ at 62: Federico Fellini’s Daring, Self-Reflexive Masterpiece as a Most Intimate Exploration of Cinema ‘8½’ at 62: Federico Fellini’s Daring, Self-Reflexive Masterpiece as a Most Intimate Exploration of Cinema Read an article »
‘The Seventh Seal’ at 68: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest ‘The Seventh Seal’ at 68: An Enthralling Philosophical Work of Art Made By One of the Truly Greatest Read an article »
John Carpenter’s ‘The Fog’ at 45: One of the Best Ghost Stories and Its Clever Warning to Us All John Carpenter’s ‘The Fog’ at 45: One of the Best Ghost Stories and Its Clever Warning to Us All Read an article »
Peter Weir’s ‘Witness’ at 40: A Deep, Subtle and Complex Social Comment Disguised as a Police Thriller Peter Weir’s ‘Witness’ at 40: A Deep, Subtle and Complex Social Comment Disguised as a Police Thriller Read an article »
A Conversation with François Truffaut: A Window into the Mind and Practices of the Pillar of the French New Wave A Conversation with François Truffaut: A Window into the Mind and Practices of the Pillar of the French New Wave Read an article »
‘In the Mouth of Madness’ at 30: John Carpenter’s Love Letter to H.P. Lovecraft and the Subgenre of Cosmic Horror ‘In the Mouth of Madness’ at 30: John Carpenter’s Love Letter to H.P. Lovecraft and the Subgenre of Cosmic Horror Read an article »
