Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Peter Weir’s ‘Dead Poets Society’: An Awe-Inspiring Celebration of the Human Spirit
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 ‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 ‘The Fisher King’: Terry Gilliam’s Touching Film About Grief, Trauma and Hope
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘The Driver’: Walter Hill Behind the Wheel of a Glorious Experiment
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Exposing Femicide in Iran: Cyrus Nowrasteh’s ‘The Stoning of Soraya M.’
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 James Mangold’s ‘Identity’: The Devil in the Details
Cinematography, Editing, Filmmaking, Screenwriting, Screenwriting 101 ‘I Wish I Knew How to Quit You’: Ang Lee’s Deeply Tragic ‘Brokeback Mountain’ Smolders with Slow-Burning Despair
Cinematography, Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black Comedy
Cinematography, Filmmakers to Watch, Filmmaking, Interview, Screenwriting, Screenwriting 101 Nick Delgado’s ‘Sangre’: An Upcoming Vampire Coming-of-Age Story from a Promising Young Filmmaker
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties