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New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template Read an article »
Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’ Read an article »
Sic Transit Garber’s Subway: ‘The Taking of Pelham One Two Three’ Sic Transit Garber’s Subway: ‘The Taking of Pelham One Two Three’ Read an article »
“It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action “It Ain’t Like It Used to Be. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action Read an article »
Appetite for Destruction: Paul Thomas Anderson’s ‘Phantom Thread’ and the Fall of the House of Woodcock Appetite for Destruction: Paul Thomas Anderson’s ‘Phantom Thread’ and the Fall of the House of Woodcock Read an article »
The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ The Risk Always Lives: Words to Live by On the Set of James Cameron’s ‘Aliens’ Read an article »
Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Once Upon a Time… In the Philippines: Francis Ford Coppola’s ‘Apocalypse Now’ Is a Three-Time Prime Cut of Film-Making Largesse Read an article »
A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ A Carpenter of Death and His Four Horsemen: Samuel Fuller’s ‘The Big Red One’ Read an article »
‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ ‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ Read an article »