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Cinephilia & Beyond -
  • Filmmaking
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Screenwriting
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Interview
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
      Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
    • ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
      ‘The Life and Times of Don Luis Buñuel’: The Perfect Window into the Mind of a Groundbreaking Artist
  • Documentary
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Cinematography
    • To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
      To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties
    • Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
      Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
  • Editing
    • It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
      It Was Only the Wind, My Dear: The Undisputed Greatness of Jack Clayton’s ‘The Innocents’
    • Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
      Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence
    • No image
      Neil Marshall’s ‘The Descent’: Humans Are the Scariest Things
  • Short film
    • ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
      ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence
    • ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
      ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast
    • ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More
      ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More

Terrence Malick

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’
Cinematography, Editing, Filmmaking, Interview, Screenwriting, Screenwriting 101

Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’

Cinematography, Documentary, Filmmaking, Screenwriting 101

‘The Tree of Life’: The Soul-Shaking Beauty and Pain of Terrence Malick’s Intimate Epic on Family, Nature, and Memory

‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin
Cinematography, Documentary, Filmmaking, Screenwriting 101

‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin

Terrence Malick’s ‘The Thin Red Line’: The Traumatic and Poetic Journey into the Heart of Man
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101

Terrence Malick’s ‘The Thin Red Line’: The Traumatic and Poetic Journey into the Heart of Man

Cinematography, Filmmaking, Interview, Screenwriting

Terrence Malick’s ‘Days of Heaven’ is one of the most stunning films ever to be featured on the silver screen

Documentary, Filmmaking, Interview, Screenwriting 101

With ‘Badlands,’ Terrence Malick made a directorial debut most filmmakers can only dream of

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