Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation
Cinematography, Documentary, Filmmaking, Screenwriting, Screenwriting 101 Carol Reed’s ‘The Third Man’: How Orson Welles Stole a Show He Was Barely In
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Kundun’: Martin Scorsese’s Serene Meditation on the Transient Nature of Life
Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘In the Mouth of Madness’: John Carpenter’s Love Letter to H.P. Lovecraft and the Subgenre of Cosmic Horror
Cinematography, Editing, Filmmaking, Interview, Screenwriting 101 ‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Eros and Thanatos Collide in David Cronenberg’s Id-Driven Adaptation of J.G. Ballard’s ‘Crash’
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 How John Schlesinger’s Homeless and Lonesome ‘Midnight Cowboy’ Rode His Way to the Top and Became the First and Only X-rated Movie to Win a Best Picture Oscar
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters
Cinematography, Filmmaking, Interview, Screenwriting 101 ‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow