“No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value “No One Is Just Anything”: In William Friedkin’s ‘Sorcerer’, Four Reduced Men Must Gamble with Life to Give It Value Read an article »
Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Carol Reed’s ‘Odd Man Out’—Too Long In ‘The Third Man’s Shadow? Read an article »
New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template New Model Arnie: How James Cameron’s ‘Terminator 2: Judgment Day’ Held True to Its Exploitation Roots Whilst Remodelling the Action Blockbuster Template Read an article »
‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone ‘Stalker’: Andrei Tarkovsky’s Merger of Contemplative Style and Transcendental Substance Designed to Put Us in the Zone Read an article »
Stanley Kubrick’s original treatment for ‘The Shining’ Stanley Kubrick’s original treatment for ‘The Shining’ Read an article »
Sic Transit Garber’s Subway: ‘The Taking of Pelham One Two Three’ Sic Transit Garber’s Subway: ‘The Taking of Pelham One Two Three’ Read an article »
‘Bringing Out the Dead’: Martin Scorsese’s Deeply Humane Unsung Gem ‘Bringing Out the Dead’: Martin Scorsese’s Deeply Humane Unsung Gem Read an article »
“I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title “I’ll Be Bond”: Arnold Schwarzenegger and James Cameron’s Everything or Nothing Shot at the James Bond Title Read an article »
Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire Read an article »
Jean-Pierre Melville: Life and Work of a Groundbreaking Filmmaking Poet Jean-Pierre Melville: Life and Work of a Groundbreaking Filmmaking Poet Read an article »
