And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’ Read an article »
Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues Read an article »
‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash Read an article »
How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’ How Francis Ford Coppola Breathed New Life into ‘Bram Stoker’s Dracula’ Read an article »
‘Atlantic City’ at 45: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal ‘Atlantic City’ at 45: Louis Malle’s Nostalgic Juxtaposition of Deterioration and Renewal Read an article »
‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ ‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’ Read an article »
‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling ‘Charley Varrick’ (1973): Don Siegel’s Masterclass in Seamless Storytelling Read an article »
‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers ‘Miller’s Crossing’ at 35: A Lamentation of Losers by the Coen Brothers Read an article »
Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend” Read an article »
Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’ Read an article »
