God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame God’s Lonely Funny Man: Martin Scorsese’s ‘The King of Comedy’ and America’s Pathological Obsession with Fame Read an article »
The Story of ‘Saboteur’, Hitchcock’s First Truly American Film The Story of ‘Saboteur’, Hitchcock’s First Truly American Film Read an article »
Beware the Beast Man, For He Is the Devil’s Pawn: Franklin J. Schaffner’s ‘Planet of the Apes’ Beware the Beast Man, For He Is the Devil’s Pawn: Franklin J. Schaffner’s ‘Planet of the Apes’ Read an article »
Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Psycho Pension Qu’est-ce que c’est: Richard Donner’s ‘Lethal Weapon’ Is a Real Live Wire Read an article »
Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’ Downwards Is the Only Way Forwards: Welcome to David Fincher’s ‘The Game’ Read an article »
‘Horror Implied, as Opposed to Explained… That’s Michael Mann’s Strength (Will)’—‘Manhunter’ ‘Horror Implied, as Opposed to Explained… That’s Michael Mann’s Strength (Will)’—‘Manhunter’ Read an article »
‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life ‘No Country for Old Men’: The Coen Brothers and Cormac McCarthy’s Ruthless Examination of Life Read an article »
‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’ ‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’ Read an article »
‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin ‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin Read an article »
‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking ‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking Read an article »
