To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties To Live and Die for Authenticity: How Friedkin Made One of the Best Films of the Eighties Read an article »
‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’ ‘I Am Insane, and You Are My Insanity’: The Captivating World of Terry Gilliam’s ’12 Monkeys’ Read an article »
The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’ The Artistic Triumph of Sir Alan Parker’s Still Beating ‘Angel Heart’ Read an article »
Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Scorsese’s Sexless Period Drama ‘The Age of Innocence’ as a Visceral Depiction of Emotional Starvation and Internalized Violence Read an article »
‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy ‘Die Hard’ On a Pedestal: Why John McTiernan’s Action Classic Is Such an Ode to Joy Read an article »
Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Universal Soldier? The Emersonian Combat Experience of Terrence Malick’s ‘The Thin Red Line’ Read an article »
‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story ‘The Verdict’: Sidney Lumet and David Mamet’s Masterpiece as a Blend of a Courtroom Drama and a Personal Redemption Story Read an article »
‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles ‘Point Blank’: John Boorman’s Amalgamation of American, British and French Filmmaking Styles Read an article »
How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song Read an article »
Rats In the Attic: William Friedkin’s ‘The Exorcist’ Rats In the Attic: William Friedkin’s ‘The Exorcist’ Read an article »
