Cinematography, Filmmaking, Interview, Screenwriting Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work
Documentary, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘DOES THIS LOOK LIKE A SICK MAN TO YOU?’: The Horror of Identity and the Identity of Horror in David Cronenberg’s ‘The Fly’
Cinematography, Documentary, Editing, Filmmaking, Interview, Screenwriting 101 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’
Cinematography, Filmmaking, Interview Michael Chapman: Cinematographers, in the Traditional Sense, Are a Dying Breed
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 ‘Miller’s Crossing’ at 30: A Lamentation of Losers by the Coen Brothers
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 How Tim Burton’s Version of the Caped Crusader Put the Dark in Dark Knight and Gave Wings to the Superhero Movie Genre
Cinematography, Documentary, Filmmaking, Interview, Screenwriting 101 ‘Goodfellas’: Martin Scorsese’s Anthropological Goodlife Through a Lens
Filmmaking, Interview, Screenwriting, Screenwriting 101 Paul Thomas Anderson’s ‘Hard Eight’, AKA ‘Sydney’: “It’s Always Good to Meet a New Friend”
Cinematography, Filmmaking, Interview, Screenwriting, Screenwriting 101 Lived All Our Best Times Left With the Worst: Christopher Nolan’s ‘Memento’