‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’ ‘Punch-Drunk Love’: The Hilarity of Anxiety and Blossoming Love in Paul Thomas Anderson’s ‘art house Adam Sandler film’ Read an article »
‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin ‘The New World’: Terrence Malick’s Magic Portrayal of America’s Original Sin Read an article »
‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking ‘Peeping Tom’: The Road from Disgust to Recognition for Michael Powell’s Brilliant Take on Filmmaking Read an article »
Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative Steven Soderbergh’s ‘Out of Sight’: An Achronological Time-Out from Conventional Crime Narrative Read an article »
Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort Read an article »
‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made ‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made Read an article »
Married to the Enemy: The Pathological Obsession Beneath Michael Cimino’s ‘Year of the Dragon’ Married to the Enemy: The Pathological Obsession Beneath Michael Cimino’s ‘Year of the Dragon’ Read an article »
Limitation of Life: You Can’t Go Back in John Frankenheimer’s ‘Seconds’ Limitation of Life: You Can’t Go Back in John Frankenheimer’s ‘Seconds’ Read an article »
Ridley Scott’s ‘The Duellists’: A Startling Debut of Honour Ridley Scott’s ‘The Duellists’: A Startling Debut of Honour Read an article »
Alan Parker’s ‘Angel Heart’ Is Astonishing as Hell Alan Parker’s ‘Angel Heart’ Is Astonishing as Hell Read an article »